LOGO PRODUCED IN ADOBE PHOTOSHOP

MEMORIAL Graphic Logo Multimedia Project

Jon Mesa, AKA Juan Meza Curo (c.1935-), Kumiai-Tipaay American Indian, a popular rock star cultural singer in the indigenous tribal areas of northern Baja Mexico and Southern California. His Kumeyaay ancestors have occupied this border region for some 12,000 years.

I photographed Juan (above right) in the San Antonio Necua ejido in northern Mexico, 2005.

Jon Mesa (as I knew him, he was known by several aliases) was a generational Lead Singer of the traditional Tipai songs of the Yumans. As these timeless song cycles were taught to him by his father and elder song leaders, he passed them onto the next generations in the North American Indian way.

I used my original photograph (right) of Jon singing in a Kumiai ejido in Mexico to create his logo "Singing Tradition into Tomorrow" for a related project and later dropped in his birth and death years to produce his memorial graphic -- all creative 100 percent inside Adobe Photoshop® CS6 app on my 2019 iMac 5K workstation.

As our mutual friend, Roy Cook (Opata-Oodham), wrote in Jon Meza's tribal biography:

Maap Echkeyuuw? Who will sing? This is often an unvoiced thought at gatherings in local tribal Tipai communities. Unvoiced because by custom and tradition someone is approached and has accepted the responsibility to see that the proper protocol and sequence are observed. Juan Meza Cuero is a Echkwechyaaw, a singer of Nyemii (Wildcat, Gato) Tipai song.

Roy, one of Juan's best indigenous friends and singing partner in The Three Aukas, quoted Juan Meza in his bio as saying, "I am now seventy-five". This would have been written before 2015 when Roy died, probably closer to 2010, but Juan never looked that old to me, and finding an obituary for Juan Meza Cuero with confirmable birth and death dates proved confusing.

More myth than journalistic fact surrounding Juan Meza Cuero's indigenous life in the U.S.-Mexico border region... I did stumble upon the following interview in July 2026 -- it looks promising -- I am trying to verify it is in fact the same person.

Juan Meza Historical INTERVIEW: PDF
(release pending July 14, 2026)

I had a time getting biographical facts on Mr. Meza -- until I stumbled upon this uabc.mx interview. It put his birth year "1935" in his own words -- but Jon didn't look that old to me.

I am still trying to confirm if Juan Meza Cuero, Kumiai-PaiPai, is still alive or the year he died....

AUTONOMOUS UNIVERSITY OF BAJA CALIFORNIA 
INSTITUTE OF HISTORICAL RESEARCH 
ARCHIVE OF THE SPOKEN WORD 
ORAL HISTORY PROJECT 
HISTORY OF TECATE 
INTERVIEW WITH 
JUAN MEZA CUERO 
PHO-8-67 
TECATE, BAJA CALIFORNIA

SOURCE: https://repositorioinstitucional.uabc.mx/
TRANSLATION Español to English by https://chatgpt.com

TRANSCRIBED EXCERPTS

IN HIS OWN WORDS:

My name is Juan Meza Cuero. I was born on May 26, 1935, in Potrero, California. My parents were Alfonso Meza Cuajo and Rosario Cuero Paipa. My parents brought me to Tecate. My father came to Tecate because of the war that existed back then, because they were killing all the Indians and the U.S. government was persecuting the Native people. They killed everyone who had Native surnames. We came in the 1940s. I was 12 years old.

My father took me to Plateros because my mother died. My father and my grandmother took care of me. My grandmother was Felicitas de Cuero. Back then people did not know who the Kumiai were; they did not know what kind of Native people we were. Here in the north there were Cochimí people and some Paipai who came from Santa Catalina. The Kiliwa were farther south of Ensenada.

In the La Huerta area there were Cochimí, Kumiai, and some Paipai. I don't know whether my grandmother was Cochimí or Kumiai. It was the Santa Catalina area....

I experienced traditional Native customs. I remember that when someone died, there were celebrations. A year later they would hold them. When a person died, they prayed and everything, and they held a celebration called "the mourning." The food included beans, meat, potatoes, wheat dishes, and pozole made with wheat or corn. I remember when corn was planted. There were no stores; everything was grown. Since there were no stores, people ate acorns, agave stalks, and gathered honey....

There were no schools. I only learned to speak and write by myself, thank God. I also learned English on my own and to translate Kumiai into English, also by myself. With my relatives I spoke Kumiai and Spanish. I only learned to speak English recently because I never liked Americans, and since I was a teacher of the Indigenous language, I had to translate in three languages: Spanish, Kumiai, and English. In the United States they made me a teacher; I am not really a teacher. They invited me to translate the language into English.....

My style of singing is called Wildcat; in the Indigenous language it is called *nemi*. Even though we are Kumiai, we play differently. That is why they call me. This song can be played anywhere. Speaking of *Kuri Kuri*, it means, in my language, that there was an Indigenous man who sang a song that lasted a long time, and the dancers would say *Kuri Kuri*, which means, "Another, another!" Not the same one—change it, *kuakur kuakur*, as the words change. Depending on where they go, they call the celebration something different. Everyone has a nickname.

I have many songs, 120-something songs. What happened with Andrés, who was going to publish them? I don't know. Michael wants to talk with him. What happened to the 127 different songs? They are different songs. This is a story from here, from the countryside to Ensenada, traveling around with those songs. They are stories like the one about Tecate, the Cuchumá Mountain. I think the Indigenous people gave it that name, which means "The Sleeping Man."

In other words, there was an enchanted mine on that mountain, and there was a man guarding it. People would pass by and say *Cuch-uchma*, referring to the man who was asleep guarding the mine. And Tecate, you know, means *it tacat*, and the brewery liked the name, which is why it is called Tecate, but it actually means "to cut firewood." People from the United States came to cut firewood, and they bought tequila....

ANTIQUE TRIBAL RELIC NATIVE AMERICAN INDIAN BOW ARROW

I featured Juan Meza's 2005 live concert event video in my 75-minute movie documentary DVD -- including the Grand Opening scene below -- Native American Indians riding horses around a community bonfire during the grand opening of a tribal cultural show where John was a featured singer:

INDIANS ON HORSEBACK BONFIRE Cultural Show

KUMIAI VILLAGE
DIRECT PLAY .MP4 MOVIE
Haga clic para reproducir el pelicula

Professional Adobe workflow multimedia consulting: Gary G. Ballard

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